Spread across ten stages, five days and who-knows how many square kilometres of a disused military airfield, Fusion is - in a word - massive! Though it's hard to truly grasp the magnitude of the audience - as there's no point where everyone is in a single given location - I'm told it pulls a crowd of around 70,000.
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Like everything else about the festival, the line-up is epic - at least in terms of the number of acts playing. Despite this, I entered the festival only recognising a few names on the bill.
One of those names was the creative duo known as Kollektiv Turmstrasse. Having been wowed by their emotionally-driven sound many years ago (at another outdoor festival, during a local act's set), it was great to finally hear and see them outdoors.
Another must-see live-set was that of Oliver Schories. Having missed his recent sets in Berlin, I was glad to finally catch him. Taking to the stage directly after Nicone and Sascha Braemer's party-pleasing set of techno and tech-house, his distinctly deep, melancholic beats washed over the crowd. From the outset, a clear difference in sound-processing was apparent. In comparison, Schories' set was a lot more bass-heavy and not as bright (except for the absolute high-end frequencies) - a trademark of his sound, really.
Upon arrival, late Thursday evening, I made it my mission to quickly scout-out the different stages and try to get a feel for the site. The level of detail is something that really needs to be seen first-hand. Having been running for more than fifteen years - and in the same site (I'm pretty sure) - it's clear that the organisers have built it from the ground up, adding more eye-candy each year. In terms of aesthetic, it has a kind of jumbled bric-a-brac vibe to it... constructing objects from what's available.
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| I spent the first night sleeping in this hangar as my sleeping bag didn't arrive until the second day (a logistics mishap…) |
All in all, Fusion was an absolute blast. I'll definitely be doing my
best to return next year.


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